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Get the Job!: A \u00a0Workshop on Creating a Personal Brand & the Ins and Outs of the Hiring Process<\/strong><\/p>\n Tuesday, June 23, 2020 This session, presented with the support of the RBMS Membership & Professional Development Committee, will be a multi-part experience aimed at providing students, early-career, and seasoned professionals with the resources needed for self-marketing and leading in the fields of special collections librarianship, the book trade, archives and museum libraries, book arts, and teaching. This workshop will feature (1) a session on creating a personal brand, including web presence, (2) an open forum with professionals from a variety of institutions and with experience as hiring managers, and (3) a resume review session with one\u2019s peers and with the workshop panelists.<\/p>\n Workshop Leaders: Erika Jenns, Southern Tier Library System; Patrick Olson, Patrick Olson Rare Books; Blynne Olivieri, University of West Georgia; J. Fernando Pe\u00f1a, Christie’s; Jason W. Dean, Linda Hall Library; Anna Chen, UCLA<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”3.26.6″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”]<\/p>\n Cataloging Artists\u2019 Books <\/strong><\/p>\n Tuesday, June 23, 2020 Artists’ books are notoriously difficult to catalog, due in part to the nature of their production and the complexity of materials and construction, and the uniqueness of each copy. This workshop will include an introduction to some of the common challenges for describing artists\u2019 books, discussion of different cataloging standards to apply and the decision-making process for when to apply what standard, discussion of considerations in developing local artists\u2019 book cataloging policies and workflows, and will provide hands-on examples and guidance for cataloging artists\u2019 books according to Descriptive Cataloging of Rare Materials (DCRM). The RBMS Bibliographic Standards Committee endorsed this proposal in a vote at ALA Annual 2019.<\/p>\n Workshop Leaders: Ann Myers, Stanford University, Nina Schneider, Clark Library, UCLA; Whitney Buccicone, University of Virginia<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”3.26.6″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”]<\/p>\n C is for Critical: Investigating Themes of Power in Artists\u2019 Books Tuesday, June 23, 2020\u00a0 This workshop will provide attendees an opportunity to create an artist\u2019s book in order to frame their own experience as information professionals engaged with critical practices. Attendees will leave the workshop with a keepsake artists\u2019 book using the abecedarian (or alphabet book) convention.<\/p>\n Workshop Leader: Sarah Carter, Indiana University<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”3.26.6″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”]<\/p>\n Make, Teach, Collect, Exhibit: A Hands-On Workshop in Underground and Alternative Publications <\/strong><\/p>\n Sponsored by: Tavistock Books<\/p>\n Tuesday, June 23, 2020\u00a0 “Alternative publications” exist in our ephemera collections, our library catalogs, and our undescribed materials, and collectors and curators are expanding collections, teaching with, and exhibiting these materials. This workshop invites attendees to explore the history of alternative and underground publications; learn about collecting, and how to identify materials; examine teaching with zines and printmaking; and conclude with a hands-on collaborative letterpress project, with take-home keepsake. The letterpress poster workshop will be led by a noted master printer, who will be revealed on site.<\/p>\n Workshop Leaders: Agnieszka Czeblakow, Tulane University; Jay Sylvestre, University of Miami; Diane Dias De Fazio, Independent Curator of Rare Books and Book Arts; Bradley Duncan, University of Pennsylvania<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.26.6″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”] Workshops [\/et_pb_text][et_pb_text _builder_version=”3.26.6″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-835","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/pages\/835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/comments?post=835"}],"version-history":[{"count":10,"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/pages\/835\/revisions"}],"predecessor-version":[{"id":915,"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/pages\/835\/revisions\/915"}],"wp:attachment":[{"href":"http:\/\/conference.rbms.info\/2020\/wp-json\/wp\/v2\/media?parent=835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
8:30 a.m. – 12:30 p.m.
Indiana Memorial Union, Walnut Room
$150, maximum of 24 participants, please bring your own computer\/device<\/p>\n
8:30 a.m. – 3:30 p.m.
Wells Library
$180, maximum of 20 participants<\/p>\n
<\/strong><\/p>\n
9:00 a.m. – 12:00 p.m.
Indiana Memorial Union, Oak Room
$140, maximum of 18 participants<\/p>\n
9:00 a.m. – 3:00 p.m.
Indiana University Letterpress Studio, Fine Arts Building, Room 245
$180, maximum of 20 participants<\/p>\n